“Boychik aims to look at their experiences with being queer… Boychick shares the emotions that come with giving the deepest part of yourself to another.” -V MAGAZINE

Free of traditional pop structure, the dramatic cut is comparable to a monologue, unloading their inner thoughts like a poetic short play; there’s a beginning, middle and end, allowing for existential chaos to make way for a brighter resolution.”
“Like with all queer expression — complex and expansive — the visual identity surrounding Boychik is just as important as the music itself.” -PAPER
Photo credit: Matthew Xavier Praley

Today, composer, actor and vocalist Boychik, the musical moniker of Ben Levi Ross, shares their poignant self-titled debut album out everywhere now. Alongside the release comes a subversive, anthemic single, “Soft” where Boychik channels their quiet rage to capture the multi-dimensional power that lies within queerness. Celebrate the release with merch and much more available now at

The highly anticipated arrival of Boychik, the self-titled, ten track body of work, is years in the making. It’s one that carefully chronicles the deepest parts of the multi-disciplinary artist Boychik, and the multi-dimensional person, Ben. It necessarily brings Boychik’s queer voice and lived experiences to the forefront, bearing their heart on their sleeve, but not without bandages and bruises. “There’s a lot about the release of this record that scares me. I’ve sat on this music for many years. For a long time, writing music was a very private solitary act. But I found collaborators that created an environment for me to open up this music safely.” They continue, “Being able to expand this sound into what it is alongside Jake Luppen, Nathan Stocker and Brad Oberhofer was one of the greatest joys of my life.” With such an intimate collection of music being made public, Boychik hopes the time capsule released today is handled with care.

“Soft” is a declaration of the power that queer people hold, one that Boychik wishes to scream. “I have a sea of rage inside me that I can access, and I believe it’s actually where I hold much of my power as a queer person.” The empowering track sheds light on the multi-faceted queer experience, one that cannot be simply labeled or neatly packaged for consumption. Boychik explains, “‘Soft’ is a subversion anthem. I want to subvert the expectation that queers don’t hold power. The most powerful people I know are queer. Sissies adorning themselves with their effeminate armor every day when they leave the house. I wanted to sing for all the powerful, jagged, loud and angry queers that came before me.”

Though a tough exterior often forms naturally around queer people as a layer of protection, Boychik admits that on the inside, they are delicate. “Although throughout the song I repeat the hook “I’m not soft,” it becomes clear that underneath this powerful exclamation lies an incredibly soft person. I contain multitudes! “I cry big fat tears, they built iron over the years.” I am hard in my softness. There are dimensions to my personhood and my queerness. You cannot reduce us to a one-dimensional entity for your television program. We are layered, flawed, soft, jagged, and faggy.”

The track ultimately encourages queer people to find their own strength, and resists the commonly played out trope that queer people are weak, as they’ve run into consistently throughout their acting career. “In my career as an actor, I noticed a through-line in many of the auditions I was getting. That through-line was that the roles were almost always written as either a queer person who was weak and/or bullied, or a straight cis person, but they were always a nerd or an outcast. I found it interesting that those two archetypes went hand in hand. That the only world in which I could play a straight, cis person was if they were weak, or soft. Was it because of my voice? My body? Could I only be believable as a straight, cis person if they lacked power? And the scarcity of strong, self-assertive queer roles in general was quite troubling.” Here, Boychik firmly redefines this narrative, highlighting the strength and dimensions of queer people.

The release of the album follows the nostalgia-tinged track and video, “Jasmine Vine” that acts as a piece of essential familiarity and serenity amidst chaos. The elegant “Next to You” which premiered with PAPER Magazine, who wrote the track is “an orchestral highlight of the ten track LP” and that the accompanying stunning video is “a strong extension of the romantic visual identity Boychik has put forth thus far.” Another previously shared single is the layered, piano-driven, “Bombed Out Building,” whose lyric video premiered exclusively with V Magazine. V Magazine wrote, “Boychik shares the emotions that come with giving the deepest part of yourself to another. With lyrics like “but the deepest parts of me were always for you,” the single tells a heartbreaking revelation. Along with the single comes a new lyric video. Depicting images of an empty castle lit up by hues of green, it gives fans a better insight into the world behind the song.”

“Bombed Out Building,” while light and layered, allows Boychik to calm their anxiety and explore the depths of true love–from the fear of falling–to discovering the comfort and safety within each other and everything in between. Honest and vulnerable, the track is a tender, thoughtful exploration of love and natural uneasiness that comes with the early stages of falling.

The project’s debut single “Dust After Rest,” is a track that frees Boychik of any gender constraints, and is filled with hope, gratitude and profound authenticity. The track premiered with PAPER Magazine, who wrote, “Like with all queer expression — complex and expansive — the visual identity surrounding Boychik is just as important as the music itself.” The track allows Boychik to, as they put it, “Zoom out and see my existence as finite and precious. The fact that I will return to dust has always helped alleviate my pain.”

1883 Magazine, Cool Hunting, and many more enthusiastically embraced the single, with 1883 Magazine calling it, “powerful yet poignant, freeing yet, at times, filled with fraught,” and Cool Huntingwriting that it is filled with, “profound depth and beauty.”

After a year of studying theater at the Carnegie Mellon School of Drama, Ross exited to join a national tour of Dear Evan Hansen, where they took the titular role from 2018-2019. The LA Times wrote Ross was “sensational,” and “has a radiant strength and fills the theater with its luminosity.” The Washington Post wrote of Ross’ “rewardingly supple” voice. In 2020, they went on to star in the Kennedy Center’s production of “Next to Normal”and by 2021, they made their film debut in Netflix’s Tick..Tick..Boom!. Now, in 2022, Boychik’s artistry expands further into uncharted territory–filled with confidence, boldness and vulnerability–and much more.

The cinematic and poignant self-titled debut from Boychik is out everywhere now. Through a queer body and mind, the vulnerable collection is filled with vivid, deliberate narratives that proudly claim space and demand to be seen, heard and felt.

Step into Boychik’s world at and connect with Boychik on InstagramFacebookTikTok and Twitter to keep up with the musician.





Boychik Tracklisting (LP):

01. Dust After Rest

02. Ring The Bell

03. Bombed Out Building

04. Soft

05. Next to You

06. The Child

07. Jasmine Vine

08. Liked, Seen, Heard

09. One Last Time Around The Neighborhood

10. Wintertime

Boychik Bio:
Theatricality is all around us. The way we move through space and time, adorn our bodies, and inflect our words is theater. Boychik was birthed from a desire to explore that theatricality through hyper-vulnerable song writing. Composer/vocalist Ben Levi Ross spent much of their childhood and young adult life in and around the world of theater, training as an actor, ballet dancer, pianist, and singer.
Ben studied theater at Carnegie Mellon’s School of Drama for 1 year before exiting to join the Broadway company of the hit musical “Dear Evan Hansen”. They toured the country to rave reviews for a year as the titular role from 2018-2019. The LA Times called their performance “sensational”, with a “voice that has a radiant strength and fills the theater with its luminosity.” They go on to mention that “the heart and soul of the show is Ross, who matures the hard way before our very eyes. This extraordinary lead performance is heroic in the truth it exposes about our error-strewn paths from youthful alienation toward that distant mountain of self-acceptance.”
The Washington Post said that Ross has a “rewardingly supple voice” and has “built a character with whom we come to empathize deeply.” Ben went on to star in the Kennedy Center’s production of “Next to Normal” in 2020, as well as make their film debut in Netflix’s “Tick, Tick… Boom!” in 2021. Ben’s multi-disciplinary theatrical origins are the soul of Boychik and appear at the forefront of their music.
At age 23, Boychik collaborated with two production teams: Minneapolis musicians Jake Luppen and Nathan Stocker of Hippo Campus and acclaimed indie musician Brad Oberhofer to record a 9-track record based sonically in their voice and piano, but reaching into a plethora of styles and influences– from Phillip Glass to Fiona Apple, from Liz Phair to Rufus Wainwright. Dramatic narratives drive each piece, and each seems to be its own short play with a defined beginning, middle, and end. Boychik presents you a queer body and mind, confident yet aching—with bruises all around, and a need to be seen and heard.


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